![]() ![]() The more disturbing utilise ghastly avenues opened by technological progress. A series of connected tales focus on the assorted crimes committed in Mega-City One. Those stories close the volume, and the majority of material beforehand runs to two episodes, and continues a fine run of novel ideas. ‘Block Mania’ features valedicotry moments with the final Dredd strips from Mike McMahon and Brian Bolland, whose contrasting styles had defined Dredd and his world. By the time the judges discover a more sinister origin, the Apocalypse War is about to begin. The entire armageddon scenario begins with a dropped ice cream in ‘Block Mania’, a clever touch that fires the ever-present tensions of cramped life in city blocks housing thousands. ![]() ![]() It’s very much rooted in the real world political fears of the 1980s, but despite one of Dredd’s iconic moments as his finger rests on a button that could bring destruction to East-Meg One and the consistency provided by Carlos Ezquerra illustrating the entire saga, it’s disjointed and only coalesces in the final chapters. Enormous credit is due Dredd’s writing team of John Wagner and Alan Grant for pulling the rug out from under themselves with a story that brings nuclear destruction to Mega-City One, followed by the East-Meg judges invading. ![]() The bulk of this collection consists of ‘ The Apocalypse War‘ and its prelude ‘ Block Mania‘. ![]()
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